The period that I could consider the most important in my literary work came about beginning with the Revolution, and in a certain way, developed as a consequence of the Revolution. But it was also a result of the counterrevolutionary coup of November 1975.

Not only does the universe have its own laws, all of them indifferent to the contradictory dreams and desires of humanity, and in the formulation of which we contribute not one iota, apart, that is, from the words by which we clumsily name them, but everything seems to indicate that it uses these laws for aims and objectives that transcend and always will transcend our understanding.

We are finally living in Plato's cave, if we consider how those who were imprisoned within the cave - who could do nothing but watch those shadows passing on the back wall - were convinced that those shadows were their one and only reality. I see a profound similarity to all this in the epoch we're now living in. We no longer live simply through images: we live through images that don't even exist, which are the result not of physical projection but of pure virtuality.

There are plenty of reasons not to put up with the world as it is, and if the book has any kind of message, I suppose that's it.

Death is the inventor of God.

Creating is always so much more stimulating than destroying.

Abstention means you stayed at home or went to the beach. By casting a blank vote, you're saying that you understand your responsibility, you have a political conscience and you came to vote, but you don't agree with any of the existing parties and this is the only way you have of saying so.