Independent of harmony rules, any color 'goes' or 'works' with any other color, presupposing that their quantities are appropriate.

Simultaneous contrast is not just a curious optical phenomenon - it is the very heart of painting.

I'm not a talker. I'm a formulator.

Simultaneous contrast is not just a curious optical phenomenon – it is the very heart of painting. Repeated experiments with adjacent colors will show that any ground subtracts its own hue from the colors which it carries and therefore influences.

I count all the time on resonance. I call on this, you see.

Art is concerned with the HOW and not the WHAT.

Repeated similar experiments with adjacent colors will show that any ground subtracts its own hue from colors which it carries and therefore influences.