The changes taking place in this part of Europe are enormous and very rapid. One world is disappearing. I am trying to photograph what's left. I have always been drawn to what is ending, what will soon no longer exist.

When I photograph, I do not think much. If you looked at my contacts you would ask yourself: "What is this guy doing?" But I keep working with my contacts and with my prints, I look at them all the time. I believe that the result of this work stays in me and at the moment of photographing it comes out, without my thinking of it.

I photograph only something that has to do with me, and I never did anything that I did not want to do. I do not do editorial and I never do advertising. No, my freedom is something I do not give away easily.

I don't like captions. I prefer people to look at my pictures and invent their own stories.

I don't pretend to be an intellectual or a philosopher. I just look.

I am not interested in repetition. I don't want to reach the point from where I wouldn't know how to go further. It's good to set limits for oneself, but there comes a moment when we must destroy what we have constructed.

When I first started to take photographs in Czechoslovakia, I met this old gentleman, this old photographer, who told me a few practical things. One of the things he said was, "Josef, a photographer works on the subject, but the subject works on the photographer."