Let's talk of a system that transforms all the social organisms into a work of art, in which the entire process of work is included... something in which the principle of production and consumption takes on a form of quality. It's a Gigantic project.

Every man is a plastic artist who must determine things for himself.

For instance, in places like universities, where everyone speaks so rationally, it is necessary for a kind of enchanter to appear.

Art can no longer be art today if it does not reach into the heart of our present culture and work transformatively within it that is, an art which cannot mould society — and through this naturally operate upon the core questions of our society — is not art.

So when I appear as a kind of shamanistic figure, or allude to it, I do it to stress my belief in other priorities and the need to come up with a completely different plan for working with substances. For instance, in places like universities, where everyone speaks so rationally, it is necessary for a kind of enchanter to appear.

Art is not there simply to be understood. ... It is more the sense of an indication or suggestion.

I think the tree is an element of regeneration which in itself is a concept of time.