Clearly, mythology is no toy for children. Nor is it a matter of archaic, merely scholarly concern, of no moment to modern men of action. For its symbols (whether in the tangible form of images or in the abstract form of ideas) touch and release the deepest centers of motivation, moving literate and illiterate alike, moving mobs, moving civilizations.

Both the artist and the lover know that perfection is not loveable. It is the clumsiness of a fault that makes a person lovable.

People say that what we're all seeking is a meaning for life. I don't think that's what we're really seeking. I think what we're seeking is an experience of being alive, so that our life experiences on the purely physical plane will have resonance within our own innermost being and reality, so that we actually feel the rapture of being alive.

Follow your bliss. The heroic life is living the individual adventure. There is no security in following the call to adventure. Nothing is exciting if you know what the outcome is going to be.

And so Galahad decided that it would be a disgrace to set off on a quest with the other knights. Alone he would enter the dark forest where there was no path. This is the myth of The Hero's Journey.

Man was not breathed into the earth. Man came out of the earth.

There is an Indian fable of three beings who drank from a river: one was a god, and he drank ambrosia; one was a man, and he drank water; and one was a demon, and he drank filth. What you get is a function of your own consciousness.