You know, I didn't write my books for critics and scholars. I wrote them for students and artists. When I hear how much my work has meant to them--well, I can't tell you how happy that makes me. That means that this great stuff of myth, which I have been so privileged to work with, will be kept alive for a whole new generation. That's the function of the artists, you know, to reinterpret the old stories and make them come alive again, in poetry, painting, and now in movies.

The principle of compassion is that which converts disillusionment into a participatory companionship. This is the basic love, the charity, that turns a critic into a living human being who has something to give to - as well as to demand of - the world.

Typically, the hero of the fairy tale achieves a domestic, microcosmic triumph, and the hero of myth a world-historica l, macrocosmic triumph. Whereas the former-the youngest or despised child who becomes the master of extraordinary powers-prevails over his personal oppressors, the latter brings back from his adventure the means for the regeneration of his society as a whole.

A one sentence definition of mythology? Mythology is what we call someone else's religion.

The big problem of any young person's life is to have models to suggest possibilities. Nietzsche says, 'Man is the sick animal.' Man is the animal that doesn't know what to do with itself. The mind has many possibilities, but we can live no more than one life. What are we going to do with ourselves?

No one in the world was ever you before, with your particular gifts and abilities and possibilities.

Suddenly you’re ripped into being alive. And life is pain, and life is suffering, and life is horror, but my god you’re alive and its spectacular.