Whenever men have looked for something solid on which to found their lives, they have chosen not the facts in which the world abounds, but the myths of an immemorial imagination.

When you no longer are compelled by desire and fear . . . when you have seen the radiance in eternity from all forms of time . . . when you follow your bliss . . . doors will open where you would not have thought there were doors . . . and the world will step in and help.

The two greatest works of war mythology in the west ... are the Iliad and the Old Testament... When we turn from the Iliad and Athens to Jerusalem and the Old Testament we find a single-minded single deity with his sympathies forever on one side. And the enemy, accordingly, no matter who it may be, is handled... pretty much as though he were subhuman: not a "Thou" but an "It."

A sound precipitates air, then fire, then water and earth- and that's how the world becomes.

The function of the artist is the mythologization of the culture and the world. In the visual arts there were two men whose work handled mythological themes in a marvelous way: Paul Klee and Pablo Picasso.

Change the focus of the eye. When you have done that, then the end of the world as you formerly knew it will have occurred, and you will experience the radiance of the divine presence everywhere, here and now.

In the older view the goddess Universe was alive, herself organically the Earth, the horizon, and the heavens. Now she is dead, and the universe is not an organism, but a building, with gods at rest in it in luxury: not as personifications of the energies in their manners of operation, but as luxury tenants, requiring service. And Man, accordingly, is not as a child born to flower in the knowledge of his own eternal portion but as a robot fashioned to serve.