The function of artists is "the mythologization of the world."

The principle of compassion is that which converts disillusionment into a participatory companionship. This is the basic love, the charity, that turns a critic into a living human being who has something to give to - as well as to demand of - the world.

The experience of eternity right here and now is the function of life. Heaven is not the place to have the experience; here is the place to have the experience.

A sound precipitates air, then fire, then water and earth- and that's how the world becomes.

Clearly, mythology is no toy for children. Nor is it a matter of archaic, merely scholarly concern, of no moment to modern men of action. For its symbols (whether in the tangible form of images or in the abstract form of ideas) touch and release the deepest centers of motivation, moving literate and illiterate alike, moving mobs, moving civilizations.

When you no longer are compelled by desire and fear . . . when you have seen the radiance in eternity from all forms of time . . . when you follow your bliss . . . doors will open where you would not have thought there were doors . . . and the world will step in and help.

If you live with the myths in your mind, you will find yourself always in mythological situations. They cover everything that can happen to you. And that enables you to interpret the myth in relation to life, as well as life in relation to myth.