Myths are public dreams; dreams are private myths. By finding your own dream and following it through, it will lead you to the myth-world in which you live. But just as in dream, the subject and object, though they seem to be separate, are really the same.

The function of (heroic) symbols is to give you a sense of Aha! Yes, I know what it is, it's myself.

The Deadheads are doing the dance of life and this I would say is the answer to the atom bomb.

When you no longer are compelled by desire and fear . . . when you have seen the radiance in eternity from all forms of time . . . when you follow your bliss . . . doors will open where you would not have thought there were doors . . . and the world will step in and help.

My writing is of a very different kind from anything I've heard about. All this mythological material is out there, a big gathering of stuff, and I have been reading it for some forty- or fifty-odd years. There are various ways of handling that. The most common is to put the material together and publish a scholarly book about it. But when I'm writing, I try to get a sense of an experiential relationship to the material. In fact, I can't write unless that happens ... I don't write unless the stuff is really working on me, and my selection of material depends on what works.

Every story you tell is your own story.

The priests used to say that faith can move mountains, and nobody believed them. Today the scientists say that they can level mountains, and nobody doubts them.