Behind all these manifestations is the one radiance, which shines through all things. The function of art is to reveal this radiance through the created object.

Typically, the hero of the fairy tale achieves a domestic, microcosmic triumph, and the hero of myth a world-historica l, macrocosmic triumph. Whereas the former-the youngest or despised child who becomes the master of extraordinary powers-prevails over his personal oppressors, the latter brings back from his adventure the means for the regeneration of his society as a whole.

[M]yths are not invented as stories are. Myths are inspired-they really are. They come from the same realm that dream comes from.

The seat of the soul is where the inner world and the outer world meet.

We are all born as animals and live the life that animals live: we sleep, eat, reproduce, and fight. There is, however, another order of living, which the animals do not know, that of awe before the mystery of being ... that can be the root and branch of the spiritual sense of one’s days. That is the birth - the Virgin Birth - in the heart of a properly human, spiritual life.

The usual marriage in traditional cultures was arranged for by the families. It wasn't a person-to-person decision at all. . . . In the Middle Ages, that was the kind of marriage that was sanctified by the Church. And so the troubadour idea of real person-to-person Amor was very dangerous. . . . It is in direct contradiction to the way of the Church. The word AMOR spelt backwards is ROMA, the Roman Catholic Church, which was justifying marriages that were simply political and social in their character. And so came this movement validating individual choice, what I call following your bliss.

The modern hero-deed must be that of questing to bring to light again the lost Atlantis of the co-ordinated Soul.