Behind all these manifestations is the one radiance, which shines through all things. The function of art is to reveal this radiance through the created object.

Anyone who has had an experience of mystery knows that there is a dimension of the universe that is not that which is available to his senses. There is a pertinent saying in one of the Upanishads: When before the beauty of a sunset or of a mountain you pause and exclaim, ‘Ah,’ you are participating in divinity. Such a moment of participation involves a realization of the wonder and sheer beauty of existence. People living in the world of nature experience such moments every day. They live in the recognition of something there that is much greater than the human dimension.

I think that Jean Houston has broken through to a new understanding of the sense and uses of inward-turned contemplation-a n understanding that leaves the Freudian schools of technique and theory far behind. The accent is not on the curing of disease but on the enlargement, rather, of our health.

Myths are stories for our search through the ages for truth, for meaning, for significance. We all need to tell our story and to understand our story. We all need to understand death and to cope with death, and we all need help in our passages from birth to live and then to death. We need for life to signify, to touch the eternal, to understand the mysterious, to find out who we are.

The big problem of any young person's life is to have models to suggest possibilities. Nietzsche says, 'Man is the sick animal.' Man is the animal that doesn't know what to do with itself. The mind has many possibilities, but we can live no more than one life. What are we going to do with ourselves?

A myth doesn't have to be real to be true.

The key to the Grail is compassion, 'suffering with,' feeling another's sorrow as if it were your own. The one who finds the dynamo of compassion is the one who's found the Grail.