If a person does not listen to the demands of their own spiritual and heart life and insists on a certain program, you're going to have a schizophrenic crackup. The person has put themselves off center. They have aligned themselves with a programmatic life and it's not the one the body is interested in at all.

The realms of the gods and demons - heaven, purgatory, hell - are of the substance of dreams. Myth, in this view, is the dream of the world.

And so Galahad decided that it would be a disgrace to set off on a quest with the other knights. Alone he would enter the dark forest where there was no path. This is the myth of The Hero's Journey.

Apocalypse does not point to a fiery Armageddon but to the fact that our ignorance and our complacency are coming to an end. The exclusivism of there being only one way in which we can be saved, the idea that there is a single religious group that is in sole possession of the truth—that is the world as we know it that must pass away. What is the kingdom? It lies in our realization of the ubiquity of the divine presence in our neighbors, in our enemies, in all of us.

The departure from the world is regarded not as a fault, but as the first step into that noble path at the remotest turn of which illumination is to be won.

A ritual is the enactment of a myth. And, by participating in the ritual, you are participating in the myth. And since myth is a projection of the depth wisdom of the psyche, by participating in a ritual, participating in the myth, you are being, as it were, put in accord with that wisdom, which is the wisdom that is inherent within you anyhow. Your consciousness is being re-minded of the wisdom of your own life.

Both the artist and the lover know that perfection is not loveable. It is the clumsiness of a fault that makes a person lovable.