You must have a room, or a certain hour or so a day, where you don’t know what was in the newspapers that morning, you don’t know who your friends are, you don’t know what you owe anybody, you don’t know what anybody owes to you. This is a place where you can simply experience and bring forth what you are and what you might be. This is the place of creative incubation. At first you may find that nothing happens there. But if you have a sacred place and use it, something eventually will happen.

The ultimate dragon is within you, it is your ego clamping you down.

Their task [creative artists], therefore, is to communicate directly from one inward world to another, in such a way that an actual shock of experience will have been rendered: not a mere statement for the information or persuasion of a brain, but an effective communication across the void of space and time from one center of consciousness to another.

Mythological symbols touch and exhilarate centers of life beyond the reach of vocabularies of reason and coercion.

When I was in India I met and conversed briefly with Shri Atmananda Guru of Trivandrum, and the question he gave me to ponder was this: 'Where are you between two thoughts?

This, I believe, is the great Western truth: that each of us is a completely unique creature and that, if we are ever to give any gift to the world, it will have to come out of our own experience and fulfillment of our own potentialities, not someone else's.

The quest for fire occurred not because anyone knew what the practical uses for fire would be, but because it was fascinating.