Typically, the hero of the fairy tale achieves a domestic, microcosmic triumph, and the hero of myth a world-historica l, macrocosmic triumph. Whereas the former-the youngest or despised child who becomes the master of extraordinary powers-prevails over his personal oppressors, the latter brings back from his adventure the means for the regeneration of his society as a whole.

Furthermore, we have not even to risk the adventure alone; for the heroes of all time have gone before us; the labyrinth is thoroughly known; we have only to follow the thread of the hero-path. And where we had thought to find an abomination, we shall find a god; where we had thought to slay another, we shall slay ourselves; where we had thought to travel outward, we shall come to the center of our own existence; and where we had thought to be alone, we shall be with all the world.

The mighty hero of extraordinary powers, able to lift Mount Govardhan on a finger, and to fill himself with the terrible glory of the universe, is each of us: not the physical self visible in the mirror, but the King within.

There is what I would call the hero journey, the night sea journey, the hero quest, where the individual is going to bring forth in his life something that was never beheld before.

The myth is the public dream and the dream is the private myth.

Dragons, you know, we have a good deal of biology and zoology about the dragon; we know their habits. The dragon tends to guard things, and he usually has these guarded in a cave... Now dragons don't know what to do either with beautiful girls or gold, but they just hang on. There are people like this. We call them creeps.

The Garden is a metaphor for the following: our minds, and our thinking in terms of pairs of opposites--man and woman, good and evil--are as holy as that of a god. (50)