So getting that balance between what is honoring scripture and the Word and also acknowledging the fact that by the virtue of putting it on film there's going to be a variation and adaptation, I mean, it's a fine dance and a balance. Our producers and directors have worked so hard to get that right and I'm really proud. I think it's a pretty good job.

he challenge is finding the modern conduit for the audience, having fun and really looking at the duality of this particular character, that is both devil and angel, and on the cusp of losing control of the pagan background, to this newfangled religion called Christianity. There's a great backdrop there, and just a whole dark side with the magic.

I wanted to say, "Hey, Pope Francis," but I cried like a baby. I was reduced to a very humble set of feelings, because it was not about what was said: There's a presence. That was a blessing for myself and my family and everyone there to be a part of that.

He [Merlin] is slightly from another world and place, so it [challenge in bringing the role to life] is about having fun and presenting it in a new way. He's more of a politician, and slightly Machiavellian, but there's also a lovely relationship going on between Merlin and Arthur. There's so much to be had, really.

Pretty much all films I've seen that depict the life of Christ end with the Crucifixion, almost like the filmmakers don't know what to do after.

I don't know what my limitations are until I reach them. I look for the challenge.

The great thing about films is that you have access to this whole world of experts who teach you the skills your character's supposed to have.