The idea itself, the notion of what the next Tron could be, is exciting enough that it would be worth going back to do it. Obviously we hinted some things at the end of Legacy, it's kind of there for people to see what that potential is. So we just want to make sure that we have a script that delivers on that promise on an epic scale."

Once I got out of architecture school I decided not to be an architect, I just started my own little design studio.

But the script's got to be at a level that makes it worth going back for, because it's a lot of work to make a movie like this and it's a multi-year project. So we've got our writer Jesse Wigutow on it right now writing, and fingers crossed if it all comes together, as we hope it will, there could be another Tron in the next few years, and it's going to be awesome.

The commercial music video industry is very hard to break into, and until you break in, that first job is the hardest thing in the world to get.

I think that while you're making the film it's important to just keep your eye on the ball and make the best movie you can, and then realize that it's out of your control.

You won't believe how many people have congratulated me around the world for shooting a movie in 2D. It's bizarre. It's the strangest thing.

I was always looking for a career that could combine my creative interests with my technical side, and it ends up directing films is the perfect combination.