Sometimes with these things all the pieces fall into place. I mean, we've been talking about this for years and we don't have the script now, but sometimes things fall into place very quickly, and if everything lines up it could happen.

The commercial music video industry is very hard to break into, and until you break in, that first job is the hardest thing in the world to get.

When I was in architecture school, rather than giving us drafting boards and t-squares and lead pencils and stuff they gave us all the same tools that places like Digital Domain and ILM used to make features films or special effects. They gave us all these digital tools like Alias and Mya and Soft Image and all these kind of high-end computers, so I came out of architecture school knowing how to use all that stuff. And I started making short films at night.

There are a lot of limitations so you have to ultimately focus on what you think the most important storyline is.

The movies I make and my interests are always about pushing the technology as far as we can in support of telling great stories and showing an audience things they haven't seen before.

Listen, whatever makes the movie better. That's the attitude you have to have.

It's important to listen to those around you, and ultimately you have to decide which path you're going to go down.