Certainly there's pressure while your making the movie.

I don't wear glasses, so I like the idea of not having to put them on to watch a movie. It's a hard barrier to get beyond.

Any film is a collaborative process, you've got thousands and thousands of people working on it.

Well the only reason to go back, for me and I think for anyone involved would be if we could do something truly spectacular. We've been talking about it for a couple years and there's always been this idea, a big idea, in the back of my head that we've been talking about.

Disney's clearly in the business of doing giant tent pole movies based on properties that they own. And that's what they should be doing because they're great at doing that.

So Disney has their full support behind it, which is great, but again it's got to be the right story. It's got to be a script that's up to snuff and worth going back for. The idea's there, the ambition's there, the excitement's there; but we need to have all the pieces in place before they would ever pull the trigger on that.

Once I got out of architecture school I decided not to be an architect, I just started my own little design studio.