You have to be okay with wins and losses. You can't just be looking for the wins and, when the losses happen, you can't buy more and more because you're sure it's going to bounce. We call that revenge trading.

I used to go to Vegas and play the horses, and then I realised how ridiculous that was. There is no winning in gambling, but there is on the stock market.

I don't have a favorite I like and then I'll go and watch "Days of Heaven" and I go how beautiful is that. So I think, at least my idea, was lets bring something again that's primitive and guttural but then let's also do something beautiful where you're outside and this isn't a typical western setting. It's lush. It's green. It's beautiful.

I grew up, especially as an actor thinking that I had to move to New York to be a good actor. But after a while you start to live the world a little bit and you start to appreciate where you're from.

Fear - there's always fear. You re-create yourself in every movie, don't you?

My craziest on-set story comes from during the Goonies, when I came up to Spielberg and said that I wanted to climb the walls of the tunnels and that it represented my mother's womb, for some odd reason. I was reading Stanislawski at the time and Spielberg's response was "Why don't you just act."

As an actor, doing it for 30 years, with every movie, you're trying to figure out a way to make it more naturalistic and more organic to humanity. When you have lines like, "Never let the monster out," it's hard.