It's probably a bit of a power trip when you befriend somebody enough that they trust you to tell you things.

Rebellion, just to be clear, can mean holding onto some of your own integrity, of not playing into the idea of sensationalism. We all have our moments, and that's your guys' job - to take those moments and make them turgid, gaseous, make them big, and it's bigger than the person is. When you start believing your own press, that's when it gets really sad.

Suddenly, I'm in movies that people are excited about, and that is a nice change.

The only way change will ever happen is if we speak up, and we have to know that it actually has an impact. Because we have a lot more power than we think we do, I think.

I know that, for me, working with people like Robert Rodriguez and Ridley Scott and the Coen brothers and Oliver Stone and Gus Van Sant was so much easier than working with a lot of the people I had worked with before, because with these guys, there's not a lot of ego involved. It's all about the work. It's all about how to make the story better. So at the end of the day, you feel a trust that you usually don't feel - or at least I haven't felt in the past with most people.

My dad didn't often bring me to the set, being an actor himself, so my infancy as an actor was wracked with a lot of giggles and nervousness.

I'd heard rumors about Oliver Stone before we went to work on and I don't get it. To me, he's one of the most sensitive directors. He is just fascinated by why people act in the ways that they do. His movies are an excuse to explore that idea, and he wants to work with people who are as passionate about exploring it as he is. So we got along brilliantly.