I've never gotten bitter about where I was at in my career. I've always earned enough money to put my kids through school and eat and all that, so I was never one of those guys who said, "Why am I not in this other position? Why am I not that other guy? Why am I me?"

Rebellion, just to be clear, can mean holding onto some of your own integrity, of not playing into the idea of sensationalism. We all have our moments, and that's your guys' job - to take those moments and make them turgid, gaseous, make them big, and it's bigger than the person is. When you start believing your own press, that's when it gets really sad.

I do think, from the other side, that George W. ush was somewhat of an innocent in his thinking about what Ronald Reagan did during the Cold War and by bringing democracy to Eastern Europe. I think he believed that he could do the same thing by bringing democracy - or Midland, Texas, really - to the Middle East. I truly think he felt it was possible. "I want to do for the Middle East what Reagan did for the Soviet Union."

I only took a high school acting class because there was no other class I wanted to take. I loved it, but I was always against acting as a profession. I didn't like the monetary fluctuations I saw.

Back then they had Elvis and they thought Elvis was so risqué. So everyone has their perception to what innocence is.

Football? Forget it. I didn't have that thing inside me where I wanted to smash against somebody and watch them break. I was too sensitive for that and disliked being that sensitive.

I know that, for me, working with people like Robert Rodriguez and Ridley Scott and the Coen brothers and Oliver Stone and Gus Van Sant was so much easier than working with a lot of the people I had worked with before, because with these guys, there's not a lot of ego involved. It's all about the work. It's all about how to make the story better. So at the end of the day, you feel a trust that you usually don't feel - or at least I haven't felt in the past with most people.