I grew up on 'Lawrence' and 'Zhivago'. A legacy with not one but multiple timeless classics.

I think that once we get to that point where our generation is running things, I truly believe we'll look back at this time and question why we were ever so complacent withholding something as universal as the freedom of equality and marrying someone that you love.

Coming off of 'Book of Mormon,' I had a lot of opportunities. I didn't want to do TV, actually. I really wanted to get paid nothing and keep doing theater at all costs.

I was a product of a divorced family and I used humor as a weapon to combat sadness. I used comedy to make my mother laugh in light of the darkness that she faced, and to me it became a very powerful tool at a very young age, at six. I saw how therapeutic it could be.

I'm unfortunately very verbose too often.

Josh [Gad] is such an amazing improviser and is so good when the material is flowing from him that sometimes, if a written scene isn't working quite right, I'll tell him that we've got it and that he can just play. He'll blow us away with some super weird stuff and some wild things that we might use bits and pieces of in the edit, and then I'll say, "Just for good measure, let's do one more of the scripted version."

Melissa McCarthy just opened this new movie, “Identity Thief,” and Rex Reed, who’s a known critic, wrote a scathing commentary on her weight. I think that weight designation is one of the last frontiers of bullying. I don’t know what the right “ism” for it is, but I think that there’s a level of that that’s happening that’s certainly not okay.