I grew up on 'Lawrence' and 'Zhivago'. A legacy with not one but multiple timeless classics.

I love polarizing people.

I think physical comedy is an amazing asset because it tells a story that's more universal than just language and dialogue. I grew up watching Charlie Chaplin and Buster Keaton. They're very powerful figures in my life.

[ 1600 Penn] is an ensemble comedy about a family. It just happens to utilize the fact that my character is now being forced into this world as a jumping off point. But, in no way is it the crux of the series. It's simply an introduction to the world.

My idol growing up was Charlie Chaplin. I was obsessed with him. I mean, while other kids were watching Jim Carrey and the likes in the '90s, I was watching Charlie Chaplin films, because I was a bit of a geek. I became obsessed with this idea of physical comedy.

Part of our goal, in the episodes moving forward, is to deepen and dimensionalize every other character, to get into their relationships with each other, expand that stuff and really sink our teeth in.

I met Jon Lovett, who was just coming off of three years of being a presidential speech writer and had just arrived here to be a comedy writer in Hollywood. I thought he was super green, in terms of this world, but he knows so much about the world that we're attempting to write about.