Fame was initially this kind of blunt tool that was thrust into my hands very young.

It's not scary to make a horror film because you get to pull back the curtain and see that none of it's real. When you're watching one, the terror bombards you.

I spent my entire first pay cheque from Cracker, a TV show on ABC, on an Audi because my other car broke down and I needed to get to work.

I had a good time shooting in New Zealand. I almost bought a home there while I was there, because I loved it so much.

There are some films that really break the mold, and some films that don't. I've been looking for films that break the mold a bit.

I guess I will probably produce a little bit more. For me it's a career, you create as you go along and you can't worry about always being on top.

You learn so much from making mistakes, not even necessarily mistakes that I've made, a lot of the time the films just don't work out because it's a really difficult process. And sometimes there's a certain person underlining process. But I've had an opportunity to work on all different types of films and I have had a lot of opportunities to stretch myself in different ways and now is the time where I get to try and figure out out the roles that I can really play well and play them well.