I know you've all heard the advice, "Show, don't tell." The best writers don't tell you, and quite frankly they don't just show you -- they make you feel it, live it, taste it, touch it. Storytelling is about being in the moment with the characters.

Do you still do the clubs?” Jake shakes his head. “You do the clubs because you can’t find what you need at home. I’ve got everything I need. I’ve got the answer to needs I didn’t even know I had.

You were the first in every way that counted.

I gave a helpless laugh. “Damned if I know. I think…we seem to have reached impasse. I feel betrayed by your friendship with Verlane. I realize that’s not logical. I realize that if I’d made the mistakes Verlane has made, I’d want my friends to stand by me, hope that someone would help me when the time came. I just…” “What?” I met his eyes. “I just need to come first for someone, Guy.

I hadn't liked him at first. He did sort of grow on you after a while. Like the cosmopolitans. Or maybe because of the cosmopolitans.

Have I ever told you, you look like Monty Clift? he inquired in a deep, seductive voice. Before or after the accident?

He said you were on the scene when that Laurel Canyon homicide went down.” “I’m lucky that way,” I said. “So are you two square again?” I halted, mid-ripping open the cookies, and stared at him. “Well, he’s pretty square,” I said. “I’m just a rectangular guy.” With latent triangular tendencies.