The best notes are action-based and less, I don't know, heady, theoretical, because, as actors, we're too much in our heads anyway.

I'm forever in debt to Nickelodeon. It made me who I am today.

Sometimes, you run into trouble as an actor when you're not working with someone who is collaborative or doesn't bring themselves to the piece, and you sort of have to start worrying about yourself and protecting what works for you in the scene. I never had to do that in this movie because it was sort of this trapeze act.

There is a challenge of doing something new. Sometimes you have to suspend whether you believe in yourself doing it and just give yourself over to the idea that they believe in you.

Just to be part of a process where you hit no professional speed bumps and you're just sort of going on and on. I'm surrounded by these people that are all so collaborative and all bring things of their own to the process. For them to be alive in the scenes so you don't have to worry.

I do work too hard sometimes, but my mom is such an inspiration. She tells me to 'chill out' and not take things so seriously. She will say: 'Go and have a massage.'

I think as working actors, it's like sales. You're only as good as your last sale, so you put your all into something and you just hope that from that you can get your next job.