You can bring truth to anything, whether it's a dance movie or an incredibly poignant indie drama or a really broad comedy. As long as you show up to play, I don't think you can go wrong.

Every time you sort of let go of the bar, you knew someone was there to catch you, and vice versa. And, I mean, come on. It's Method Man. It's been a dream to meet him forever.

I had to battle it out with all the usual suspects and whatnot and go to the callback. I was lucky that (writer-director) John (Levine) and I were sort of these two white-boy hip-hop-heads from New York. I think that alone got me in the door.

There is a challenge of doing something new. Sometimes you have to suspend whether you believe in yourself doing it and just give yourself over to the idea that they believe in you.

All the things you can do to prepare for a role that free you, in the moment, are great. You have this muscle memory for things. You don't have to act it as much, once you've done it enough.

I may be Jewish, but my religion is hip-hop.

It doesn't matter what you look like really though, it is who you are that matters of course.