I have never seen any of my work, I can't watch it because I am ultra critical. We all have little mannerisms that people may love about us, but can be embarrassing. Perhaps we got teased about them as kids and we may not like them ourselves. That is what it is like for me, I can't look at myself on screen even if the audience loves what I am doing.

I think as working actors, it's like sales. You're only as good as your last sale, so you put your all into something and you just hope that from that you can get your next job.

All the things you can do to prepare for a role that free you, in the moment, are great. You have this muscle memory for things. You don't have to act it as much, once you've done it enough.

I grew up as a really sick kid; I had really bad childhood asthma and was at home all the time in New York.

I need to gain a lot more experience. I think so much of being a director, other than the technical aspect and the artistry of it, is the confidence that you are, I think in many ways, you're the captain of the ship.

I had to battle it out with all the usual suspects and whatnot and go to the callback. I was lucky that (writer-director) John (Levine) and I were sort of these two white-boy hip-hop-heads from New York. I think that alone got me in the door.

My favorite actor is Sir Ben Kingsley - nobody is as good as him, in my opinion. I think he's so good as an artist.