So rather than someone coming to my stu- dio and saying, like, "Thank you for your time. I'll see you later," and me not knowing why they don't like my work, I understand now why they don't like it.

I would never make an artwork that I wouldn't want to make forever. Wouldn't you want to make Trash Humpers [Korine's 2009 film] forever?

It's three disparate elements: the stop sign, the stage paintings, and the skeleton paintings. Those are three sharp ideas, although none of them are necessarily good ideas. Tons of artists have made whole careers out of those three ideas.

I'm a happy, happy person. I laugh. I'm not angry. I'm only disgusted with a few people in the world that I have to see. But I'm not angry at all.

It's the ultimate conceptual artwork. I took a piece of metal and just painted an image of a stop sign on it - a four-by-four-foot stop sign.

I made work specifically for them not to like. If you made paintings of flowers and someone says they hate it, it's like, "What do you mean? It's a flower!" But if you make a painting of your name and somebody says they hate it, it's like, "Well, why would you like a painting of my name anyway?"

Everything comes from a weird place that I don't understand. I make a piece of art just to prove that I exist in my own way. And I can't make something nice. I have to make something that makes me uncomfortable.