When you play for ticket-holders, you are already validated. I have no sense that I need to be accepted. I'm already accepted.

I write arrangements. Im sort of a wannabe composer.

I don't sleep with a violin in my bed, but there is something very magical about the instrument. You open up the case; it's a masterpiece, it's gorgeous, the varnish is still there from 300 years ago. People who know violins, they look at it and it's almost like a face.

There are some great teachers who have had great students, but they themselves can't play a note. I don't understand it, because the most I learned from my teacher was just hearing him play.

Although I hardly ever turn on the TV set unless it's football season, I do watch a lot of TV on my iPad - perfect for long airplane journeys.

There are some days I take my violin out and it feels dreadful, like nothing is responding, and I want to sell it and get rid of it. And the next day suddenly the skies open up and the sound is glorious again. So it's like a relationship: There are good days and bad days.

When you play a violin piece, you are a storyteller, and you're telling a story.