Being behind a camera, in front of the camera, is my own little deconstructionist niche.

Even in the realest American cinema that I see, there's still not that sense that this is reality. There's still that sense that you are watching a movie. And hopefully, if we did get our jobs right, that sense disappears when you watch this movie.

In horror, character development is often pushed aside in favor of the shock value. The best genre movies to me are movies like The Shining. You had a connection to the characters in that film.

The first thing I do when I read a part is see if I can identify emotionally with a character. If I make that connection, everything else is just working on knowing their life circumstances and manifesting those through practice and research.

I've done almost 20 films and I still worry about not finding the next one.

I think as long as there are folks on the fringe who want to make movies, the indie scene will still be around. I do think it's getting harder to get them seen though.

I'm really proud of Blair Witch Project as a film, but as far as the cultural phenomenon of it - that was just weird luck.