I set out in television with one simple goal: to purchase a Russian bride. Didn't work out. Immigration stuff - it's complicated.

Everybody who made it through adolescence is a hero.

I think [there's] the opportunity for - I almost said President Clinton, and soon I will - but for Hillary Clinton to address that, and for the public sphere to address that in a way that they haven't. We started a conversation in the last few years on race that we desperately needed to have.

If I wrote what I really think, I would be so sad all the time. We create to fill a gap - not just to avoid the idea of dying, it's to fill some particular gap in ourselves.

People want the tragedy. They need things to go wrong, they need the tension. In my characters there’s a core of trust and love that I’m very committed to. These guys would die for each other, and it’s very beautiful. But at the same time, you can’t keep that safety. Things have to go wrong, bad things have to happen.

I've been to two festivals in my life, and I've never been to Toronto. I haven't really been making festival movies. This is new territory for me.

What I didn't really understand, but then I thought this makes perfect sense, as well - was how many people responded to it by being like, "It was just so nice to take a break." Because even the humor - the great stuff that Samantha Bee and John Oliver and Seth Meyers are doing - it's all anger humor. And for somebody to say, "Hey, we're all idiots," and just be able to laugh at ourselves and be able to connect through that. It's always about connecting with someone, never about scolding them. The only thing I knew right upfront is we're not going after [Donald] Trump supporters.