There are many films and TV shows I make where people find themselves in fantastical situations; as often as possible their reactions to it are very normal.

The Hulk is the most difficult Marvel property because it's always about balance. Is he a monster? Is he a hero? Are you going to root for a protagonist who spends all his time trying to stop the reason you came to the movie from happening? It's always a dance

If somebody comes up to me, it's because they're moved by something I'm moved by. I've never taken a job I didn't love... So when somebody's coming up to me, or they're writing, they're in the same space I am in.

It was only when I got to college that I realized that the rest of the world didn't run the way my world was run, and that there was a need for feminism. I'd thought it was all solved. There are people like my mom, clearly everyone is equal and it's all fine. Then I get into the world and I hear the things people are saying. Then I get to Hollywood and hear the very casual, almost insidious misogyny that just runs through so much of the fiction. It was just staggering to me.

Next year, Equality Now will celebrate - if that’s the word - will clock its twentieth year. Two decades of fighting the good fight, fighting the cause, and in case I haven’t been the clear, the cause is that one half of the human race is given the same basic equal rights that the other half enjoys. Or, not given. Given back. That is not a milestone, twenty years, that I intend to go unnoticed. I want to make some noise. I want to make a joyful noise, I want to make too much noise. I want the neighbors to complain. I’m tired of being polite about something that matters so much.

I think it's always important for academics to study popular culture, even if the thing they are studying is idiotic. If it's successful or made a dent in culture, then it is worthy of study to find out why.

Actors wait tables, directors work at video stores.