I think there's a possibility that comic book movies are getting a tiny bit better on the one hand because they're no longer made by executives, who are, you know, ninety-year-old bald tailors with cigars, going, 'The kids love this!'

I'm not great at fear. I made the least frightening vampire show ever on TV. I'm pretty much good at heroic narratives and making people laugh, and that's pretty much it.

I loved teaching and I did a lot of work as a teacher's assistant in college, and my favorite experience was basically getting a laugh from a bunch of people because they had just understood something. Because I had shown them something they hadn't seen before, and it amused them. That's the combo platter. That's a perfect moment.

Everyone has their first date and the object is to hide your flaws. And then you're in a relationship, and it's all about hiding your disappointment. And then, once you're married, it's about hiding your sins.

I go to movies expecting to have a whole experience. If I want a movie that doesn't end I'll go to a French movie. A movie has to be complete within itself, it can't just build off the first one or play variations.

Identity is something that you are constantly earning.

It's very important that we start creating new content again. We can only build on nostalgia so much before we have nothing left to build on.