As a child. I grew up on a small farm, so I did a lot of drawings of animals, chickens and people. At the bottom of every page, I'd put a strange scribble. I was emulating adult handwriting, though I didn't actually know how to write.

The use of language is all we have to pit against death and silence.

What is memory but the repository of things doomed to be forgotten, so you must have History. You must have labor to invent History. Being faithful to all that happens to you of significance, recording days, dates, events, names, sights not relying merely upon memory which fades like a Polaroid print where you see the memory fading before your eyes like time itself retreating.

'The Accursed' is very much a novel about social injustice as the consequence of the terrible, tragic division of classes - the exploitation not only of poor and immigrant workers but of their young children in factories and mills - and as the consequence of race hatred in the aftermath of the Civil War and the freeing of the slaves.

I don't read for amusement, I read for enlightenment. I do a lot of reviewing, so I have a steady assignment of reading. I'm also a judge for the Anisfield-Wolf Book Awards, which gives awards to literature and nonfiction.

I don't teach literature from my perspective as 'Joyce Carol Oates.' I try to teach fiction from the perspective of each writer. If I'm teaching a story by Hemingway, my endeavor is to present the story that Hemingway wrote in its fullest realization.

Obviously, there is pleasure in the execution of any sort of art, and using language, as Nabokov felt also, is an exquisite process.