We come away from the tragedies of [William] Shakespeare with a profound sense of having encountered reality in its most pristine form - yet the art-work is elaborately artificial, the very genre of tragedy in poetry an anti-naturalist perspective.

We come away from the tragedies of [William] Shakespeare with a profound sense of having encountered reality in its most pristine form - yet the art-work is elaborately artificial, the very genre of tragedy in poetry an anti-naturalist perspective.

I see the world in ways that might be considered somewhat harsh and Darwinistic. At the same time mediated, as in Darwin, by a real idealism and an excitement about the possibilities of the intellect and imagination to deal with this somewhat brutal world.

I don't think that writer's block exists really. I think that when you're trying to do something prematurely, it just won't come. Certain subjects just need time, as I've learned over and over again. You've got to wait before you write about them.

Without craft, art remains private. Without art, craft is merely hackwork.

The domestic lives we live - which may be accidental, or not entirely of our making - help to make possible our writing lives; our imaginations are freed, or stimulated, by the very prospect of companionship, quiet, a predictable and consoling routine.

Look at the world and see what's there. It's very beautiful. It's a very exciting but in some ways treacherous world, and all this goes into the writing.