There is an hour, a minute - you will remember it forever - when you know instinctively on the basis of the most inconsequential evidence, that something is wrong. You don't know - can't know - that it is the first of a series of "wrongful" events that will culminate in the utter devastation of your life as you have known it.

The act of sending a letter is an act of generosity, even if, in retrospect, it might seem reckless. Why regret one's generosity? Why regret one's impulsiveness, one's misjudgment of others? The inevitable discovery that someone is selling letters you'd written in trust is simply to discover an obvious human truth: there are those who don't cherish us as we'd cherished them, and had wished to be cherished by them.

I think all art comes out of conflict. When I write I am always looking for the dramatic kernel of an event, the junctures of people's lives when they go in one direction, not another.

Was it confusing because it was artistic, or artistic because it was confusing?

Is there any mystery like who you finally turn out to be.

When I wrote 'We Were The Mulvaneys,' I was just old enough to look back upon my own family life and the lies of certain individuals close to me, with the detachment of time. I wanted to tell the truth about secrets: How much pain they give, yet how much relief, even happiness we may feel when at last the motive for secrecy has passed.

A man will reveal his true self, or so it seems, on the tennis court.