It's rare that we actively and consciously 'forget'; most of the time we have simply forgotten, with no consciousness of having forgotten. In individuals, the phenomenon is called 'denial'; in entire cultures and nations, it's usually called 'history.

You people who have survived childhood don't remeber any longer what it was like. You think children are whole, uncomplicated creatures, and if you split them in two with a handy axe there would be all one substance inside, hard candy. But it isn't hard candy so much as a hopeless seething lava of all kinds of things, a turmoil, a mess. And once the child starts thinking about this mess he begins to disintegrate as a child and turns into something else--an adult, an animal.

You wake up one morning, those years are gone. There's a comfort in this fact perhaps. I want to think that there must be comfort in all facts we can't alter.

Adriana loved even the rank animal smell of the man's body, her sweat-slicked breasts and belly flattened beneath him, and her arms and legs clutching him as a drowning woman might clutch another person to save her life. Don't don't don't don't leave me. DON'T LEAVE ME. As in animal copulation the frenzy is to be locked together not out of sentiment or choice but physical compulsion. As if bolts of electric current ran through both their bodies and would only release them from each other when it ceased.

Though I am never exactly "blocked" I do have difficult periods. I am led by a fascination with material - the challenge of presenting it in an original and engaging way. I have no problem imagining stories, characters, distinctive settings & themes - but the difficulty is choosing a voice & a language in which to present it.

I don't think that any 'ism' is higher than literature or art. So I'm a formalist. I greatly honor and respect the form of a work.

I am what would be called a 'mainstream feminist,' not a radical feminist.