It's a taboo subject. How the dead are betrayed by the living. We who are living--we who have survived--understand that our guilt is what links us to the dead. At all times we can hear them calling to us, a growing incredulity in their voices, You will not forget me -- will you? How can you forget me? I have no one but you.

My grandmother could never have written a memoir, so 'The Gravedigger's Daughter' is a homage to her life, and to the lives of other young women of her generation, which are so rarely articulated.

I write in longhand and assemble lots of notes, and then I try to collate them into a coherent chronology. It's like groping along in the dark. I like writing and find it challenging, but I don't find it easy.

Detroit, my 'great' subject, made me the person I am, consequently the writer I am - for better or worse.

Vividly imagined, beautifully written, at times almost unbearably suspenseful-the stories in Kristiana Kahakauwila's debut collection, This Is Paradise, are boldly inventive in their exploration of the tenuous nature of human relations. These are poignant stories of 'paradise'-Hawai'i-with all that 'paradise' entails of the transience of sensuous beauty.

A writer’s life is in his work, and that is the place to find him.

For memory is a moral action, a choice. You can choose to remember. You can choose not.