The written word, obviously, is very inward, and when we're reading, we're thinking. It's a sort of spiritual, meditative activity. When we're looking at visual objects, I think our eyes are obviously directed outward, so there's not as much reflective time. And it's the reflectiveness and the spiritual inwardness about reading that appeals to me.

I always tell my students the same thing. And that's to live life, and to read very voraciously without any definite program. To travel, to meet people, to talk to people, to listen very carefully, and not interrupt, but listen to their own grandparents speak of their families.

One of the qualities of writing that is not much stressed is its problem-solving aspect, having to do with the presentation of material: how to structure it, what sort of sentences (direct, elliptical, simple or compound, syntactically elaborate), what tone (in art, "tone" is everything), pacing. Paragraphing is a way of dramatization, as the look of a poem on a page is dramatic; where to break lines, where to end sentences.

We are linked by blood, and blood is memory without language.

Exotic: meaning you're "desired." For madness is seductive, sexy. Female madness. So long as the female is reasonably young and attractive.

Sometimes I read reviews, and without exception I will read critical essays that are sent to me. The critical essays are interesting on their own terms.

Most people think that a widow is inhabiting some elegiac world of - it's like Mozart's 'Requiem Mass.' You know, it's very beautiful and elevated thoughts and some measure of dignity. I didn't have that experience at all. I had one pratfall after another.