Vividly imagined, beautifully written, at times almost unbearably suspenseful-the stories in Kristiana Kahakauwila's debut collection, This Is Paradise, are boldly inventive in their exploration of the tenuous nature of human relations. These are poignant stories of 'paradise'-Hawai'i-with all that 'paradise' entails of the transience of sensuous beauty.

Yes, 'Black Girl/White Girl' might be described as a 'coming-of-age' novel, at least for the survivor Genna. It is also intended as a comment on race relations in America more generally: we are 'roommates' with one another, but how well do we know one another?

He was ugly, himself. Weird-ugly. But ugliness in a man doesn't matter, much. Ugliness in a woman is her life.

To choose the ideal voice for a character is to give a character an ardent and vivid life, to allow him or her to speak, rather than speaking for them, in an older style of omniscient narration.

I compose most of my tweets with care, as if they were aphorisms - they are not usually dashed-off. Sometimes I'm surprised by the high, poetic quality of Twitter - it lends itself to a surreal sort of self-expression.

Critics sometimes appear to be addressing themselves to works other than those I remember writing.

I always tell my students the same thing. And that's to live life, and to read very voraciously without any definite program. To travel, to meet people, to talk to people, to listen very carefully, and not interrupt, but listen to their own grandparents speak of their families.