You people who have survived childhood don't remeber any longer what it was like. You think children are whole, uncomplicated creatures, and if you split them in two with a handy axe there would be all one substance inside, hard candy. But it isn't hard candy so much as a hopeless seething lava of all kinds of things, a turmoil, a mess. And once the child starts thinking about this mess he begins to disintegrate as a child and turns into something else--an adult, an animal.

Life and people are complex. A writer as an artist doesn't have the personality of a politician. We don't see the world that simply.

America is a very religious nation. Not a mono-religious nation because there are many different strands of belief, but there's something about this nation that inspires people, or perhaps draws people, who are strongly idealistic.

I was writing novels in high school and apprenticed myself in a way both to Faulkner and to Hemingway.

The written word, obviously, is very inward, and when we're reading, we're thinking. It's a sort of spiritual, meditative activity. When we're looking at visual objects, I think our eyes are obviously directed outward, so there's not as much reflective time. And it's the reflectiveness and the spiritual inwardness about reading that appeals to me.

'A Fair Maiden' existed in notes and sketches for perhaps a year. When I traveled, I would take along with me my folder of notes - 'ideas for stories.' Eventually, I began to write it and wrote it fairly swiftly - in perhaps two months of fairly intense writing and rewriting. Most of my time writing is really re-writing.

I want to tell you that I love you I want to tell you that I love you I want to tell you that I love I love I love I love but you do not.