To claim - to claim repeatedly - that you are innocent of what it is claimed by others that you have done, or might have done, or are in some quarters strongly suspected of having done, is never enough unless others, numerous others, will say it for you.

The novel is perhaps the highest art form because it so closely resembles life: it is about human relationships. It's technique, page by page, resembles our technique of living day by day-a way of relating.

When writing goes painfully, when it’s hideously difficult, and one feels real despair (ah, the despair, silly as it is, is real!)–then naturally one ought to continue with the work; it would be cowardly to retreat. But when writing goes smoothly–why then one certainly should keep on working, since it would be stupid to stop. Consequently one is always writing or should be writing.

There is an hour, a minute - you will remember it forever - when you know instinctively on the basis of the most inconsequential evidence, that something is wrong. You don't know - can't know - that it is the first of a series of "wrongful" events that will culminate in the utter devastation of your life as you have known it.

The mere passage of time makes us all exiles.

The institution of marriage is just formalizing an emotion, an attempt to make it seem permanent. The emotion will last or it won't last; nothing can guarantee it.

Most people think that a widow is inhabiting some elegiac world of - it's like Mozart's 'Requiem Mass.' You know, it's very beautiful and elevated thoughts and some measure of dignity. I didn't have that experience at all. I had one pratfall after another.