I try to neutralize my figures; I want them to be mythic and timeless. I want them to exist beyond time. I've used the skull caps or cowls to banish hair, which is distracting. I want to isolate the face and concentrate on what is really going on deep within my subjects.

I've always been obsessed with penetrating the female psyche. When I shoot, I'm like a tornado. I never sit down, never take a break, never eat. I'm focused on getting that moment of revelation, of insight, of poignancy, of meaning.

I have always been fascinated by the life cycle, the way skin metamorphoses over time. I am mesmerized by skin and that's why I've been attracted to the nude. I do think people show their soul when they are stripped down psychically. There is something wondrous that happens when we relate on that level - and I am interested in that depth.

I want to allow others to reveal and celebrate aspects of themselves that are usually hidden. My camera is a witness. It holds a light up for my subjects to help them feel their own essence, and gives them the courage to collaborate in the recording of these revelations.

I seek what lies beneath surface beauty. What interests me are intimate human complexities - the darkness as well as the light. I cannot will this kind of transcendent communication into existence. I have to be open and truly present, and if I am lucky, grace descends. My best photographs are an honest collaboration, and when the viewer also connects, I feel the circle is complete.

I never chased after any particular school, never really had mentors; I really just did the work that was true to me.

I love feeling that I am opening new worlds for people who don't have time to investigate these things themselves.