I still feel like a nerd.

A lot of times, it's easy to trim the movie 'cause you just start losing things that you thought would be there just for amusement's sake that actually are not funny. My favorite part of the process is seeing it with an audience. I do about eight previews to see how things are working.

I'm always talking to people. It's not that complicated. I just find somebody and say, "Do you have any ideas." If they do, we just start thinking things around.

I used to bug all of the comedians for interviews, and when people want to talk to me, sometimes I'm very receptive and sometimes I say no. Sometimes if I say no, I think, "If they're smart, they'll figure out how to not accept this no."

I thought the idea Jim [Carrey] had, which was to do a comedic version of movies like The Hand That Rocks The Cradle and Unlawful Entry, was really funny. The movie was a little lighter when we first came on, a little more like What About Bob? or something.

Everyone is wounded. No one is healthy enough to never screw up, when you're in combat. But, I like to show that, and I like to show how people get back from that. You have to forgive each other. When you're in the middle of a long-term commitment, the essence of it is that everyone is going to have good days and bad days, and it's about how you continue to rejoin forces.

That's very important to me as well: presentation and how people perceive you, the visual of how things look, your posture. I learned that from [Bob] Fosse and Jerome Robbins, from all the great theater directors and the Busby Berkeleys. You overdeliver: visually, emotionally.