I was bad at sports and picked last every day. I couldn't quite figure out what my role was in the social order, so I decided I was interested in comedy. And what was then interesting was, nobody else was interested in it at all. I didn't find one friend who was interested in comedy until I moved to California and met other comedians. And suddenly I knew hundreds of people who knew as much about SCTV as I did. But it took me 20 years to find those people.

Even now if I see someone working out, in great shape, like a 40-year-old guy with his shirt off jogging I always think, "Look at that idiot." That's why everyone in my movie is kind of goofy because I'm a champion of the goofball. What sucks is I have to work out now not to die. I was always happy not working out because I never wanted to be someone who worked out to look good, but now I have to try to not die, which is such a drag.

I hear Amy Schumer on Howard Stern, and I think, "I wish there was a movie that starred her, because she's so interesting," and then at some point I go, "I guess I have to get involved, because it's not happening right now. Maybe I should help try to make that happen."

You should look up some of the reviews. The New York Times review is so over-the-top funny. It's hysterical. You should dig it out.

I always thought it was important to overdeliver, and when I got one of my first jobs, writing jokes for Garry Shandling when he was hosting the Grammys, I stayed up all night and wrote a hundred jokes, and I thought, "I'm always going to be the person that gives them more than they requested, and that's why they'll want to keep me around."

I literally cannot remember one joke.

I loved the idea that I could write a joke and someone else would have to take the risk of performing it.