I love the Lonely Island. I wish there was more Lonely Island movies.

The audience doesn't care that most of happened. They just want a good movie.

I like to make movies the way people made movies in the '70s, where they lived and died with these stories, and cared about them, and went to war for them, and they all said something they wanted to say.

I am always driven by the terror of humiliation.

I test the movies a lot, and if the audience says they love the movie, we know we're on the right track. And if they tell me they hate it, I try to figure out what I've done wrong. But every time out, the audience wants me to go deeper, they want to know more about the characters, and they don't want these movies to be shallow. So they really urge me to tell them a complicated story, and then when I do so, they're thrilled

I have to make good things so good comedians want to talk to me.

I get literally a physical sensation of low self-esteem that is a result of not engaging the world and getting comfortable that way.