I wanted to see how funny I could be without making the choice that every 10 minutes something big and visual had to happen.

I love magazines and film critics, so I eat it up. I'm not one of those people who says 'I never read anything.' I generally read all of it.

I like to shoot scenes where I can see the beginning, middle and end of the entire scene. But, when you edit a movie together, you can just cut right into the middle. You don't need to see them walk into the room and put their jacket on the chair. There's always a lot of shoe leather that you can remove.

I thought the idea Jim [Carrey] had, which was to do a comedic version of movies like The Hand That Rocks The Cradle and Unlawful Entry, was really funny. The movie was a little lighter when we first came on, a little more like What About Bob? or something.

In my beginnings, those nos were ever-present-even today, those nos are ever-present-and it's the workaround. I always found a workaround for people who turned their back to me. It's a way of being persistent that makes them take notice.

There's something honorable about holding out for love and not breaking up for the sake of the baby. I see people get divorced, and there is a part of me that thinks, I wonder how hard they tried?

I was listening to Tommy Chong talking about how he feels like there is like a creative flow happening and how certain people just know how to hook into the pipe. He played music with Jimi Hendrix and felt that he was personally connected to some higher intelligence or creativity.