I think the story should always determine the visual approach. There are situations where you want things to feel alive and like life, and there are situations that should have some magic and the separation with the grain.

I'm always talking to people. It's not that complicated. I just find somebody and say, "Do you have any ideas." If they do, we just start thinking things around.

We are at this weird moment where there's an economic model that supports creativity. People are demanding something new and fresh.

Just trying to tell the truth about, you know, the struggle of - being alive is funny, it's just inherently tragic and also hilarious - in a fun way and in a sad way. That seems to connect with people.

I often say that ... I'm just involved in comedy, so I can be around it.

I feel like everybody's waiting for a job y'know, you can make a movie on your phone. And so there really is no reason to worry about how to get in with people- and you can do that, there's a lot to learn working for people -but you can just make a movie, where in the old days that was completely impossible.

Nobody's going to like my next movie because they liked Trainwreck [2015]. It has to work on its own, and that keeps it really scary.