The audience doesn't care that most of happened. They just want a good movie.

Even now if I see someone working out, in great shape, like a 40-year-old guy with his shirt off jogging I always think, "Look at that idiot." That's why everyone in my movie is kind of goofy because I'm a champion of the goofball. What sucks is I have to work out now not to die. I was always happy not working out because I never wanted to be someone who worked out to look good, but now I have to try to not die, which is such a drag.

I very rarely made any move to direct anything. I didn't have any faith in myself.

There's something so scary about trying out new material and being completely comfortable jumping into the abyss with a comedic idea.

The Cable Guy was underbudgeted, so it was always a debate about whether we could have more days or certain things that we needed, because the budget was determined before the script was written. So that made it a hard production on everybody. But it's also a funny thing, because it's one of those movies that cost $40 million to make and made $100 million around the world, but at the time, it seemed like a disaster that it didn't make hundreds of millions of dollars, because Jim was on such a tear. But it was actually a successful movie.

Literally, my last call was with David Blaine, congratulating him on his show. I have a camaraderie with David.

You should look up some of the reviews. The New York Times review is so over-the-top funny. It's hysterical. You should dig it out.