If I'm not moved by what happens at the end of this play, then I've completely failed, and so has the play, and so has our production. And if that's the case then there really isn't any reason to want to do it.

I don't think anyone can really make up their mind and say, Now I'm going to be a director.

When you get a chance to work with Aaron Sorkin, you don't say no. You drop everything you're doing.

If I'm not moved by what happens at the end of this play, then I've completely failed, and so has the play, and so has our production. And if that's the case then there really isn't any reason to want to do it.

People come along and impose their own stuff on plays, and it shows.

What's the inside of a shark smell like? I always thought it would smell like chicken.

Some stage directions you just simply have to throw away.