We tried the first evening to go down Division Street and Rush Street, but we couldn't get in anywhere because they didn't like [ Emilio Estevez] sneakers and they didn't like my boots. This was 1983 or '84, so it was ridiculous. We ended up at a jazz club, where you go downstairs and there's a very cool place.
Judd NelsonAll of the directors I've worked with I have loved and would work with again. I have no favorites.
Judd NelsonI don't know if it matters what country you're from, size of the city you're from, urban or rural, there are people that are hurting each other everywhere.
Judd Nelson[St. Elmo's Fire] it was pretty soon after that. I know we didn't do Breakfast Club knowing we were going to do that.
Judd NelsonBreakfast Club was great because we had a real rehearsal, and we shot primarily in sequence.
Judd Nelson